| GelatinSilverPrint.com
|
| Cintos |
| 2003
- On Going Work in Progress |
| These
images are created as limited edition photographic prints. |
Please
go to contact
page for questions and additional information. |
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| Fashionistas
223 #1 |
Fashionistas
316 #10 |
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| Fashionistas
223 #8 |
Fashionistas
223 #14a |
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Fashionistas
46 #7 |
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| Fashionistas
316 #6 |
Fashionistas
39 #22 |
Fashionistas
32 #5 |
Fashionistas
39 #25 |
| Artist's
statement for Cintos, images by Patrick V. Brown |
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| All
rights reserved, 2002-2010 |
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The term cintos is referential to the literary arts and describes the process of writers and especially poets borrowing a line or phrase from a created work as an homage to a mentor or co-creator. The poet would include the phrase within their work causing a melding of their writings into the newer work. My interest is to visually explore the concept of cintos within my work. The images from Cintos are created using various collage and layering techniques. |
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| This body of work began without the benefit or constraint of a working title. The images of seemingly little relation would through a gradual stacking process emerge into other more compelling images. Oftentimes the images indicate a variety of meanings dependent upon the visual focus and perspective of the viewer. Through an examination of these alternative multi-dimensional explorations associations are discovered. The work displayed on this page is referred to as the Fashionistas body of work within the Cintos collection. |
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| Other images within the Cintos work consider tropes that inform our daily lives through media dealing with aspects of international news, fashion, politics and other current events. Additionally they explore, expose and exploit popular culture's icons through a process of image multiplicity thus creating both complimentary and disparate compositions. |
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Initially they spin far from one another, then gradually place themselves in such a manner as to indicate an accidental aesthetic plan. Frequently the placement and layereing question other dimensions of reality through the subconscious. This "happening" using the cintos legacy calls into question the accident of such placement and may indicate another force ignored or perhaps simply unseen. This questioning may be revealed for the viewer's consideration through a rigorous process towards the imagery's visual chaos. |
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| All
Rights Reserved, Patrick V. Brown Photograpy, Inc., 2002-2010 |